摘要
"竹竿子"一般认为是宋代宫廷乐舞之引舞之人。对其详细记载的相关文献多见于宋代。本文通过对五代后周冯晖墓中发现的两幅"竹竿子"图像进行分析与考证,认为此两幅图像为我们提供了早期"竹竿子"人物图像信息,同时对其出现的原因、形制、发展演变以及对补充与完善中国戏曲史的意义作出探讨。
'Zhuganzi'was generally thought as leading dancers in royal dances in Song Dynasty.Related documents mostly were seen in Song.Though analysis and textual research of two paintings with 'Zhuganzi'found in Feng Hui’s tomb in late Zhou Dynasty of the Five dynasties,this thesis believes that the two paintings provides us information of figure paintings about early 'Zhuganzi',and it also discusses the meaning of its causes of appearance,form system,development and changes to the complementary and completion of Chinese drama history.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2012年第1期22-24,181,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
五代冯晖墓
“竹竿子”
参军色
戏曲
'zhuganzi'('bamboo pole'in Chinese,here means 'leading dancer'in royal dances in Song Dynasty) drama
