浅谈魏晋南北朝意境理论的生成——以刘勰《文心雕龙》之“意象”观为例

On the Theoretical Generation of Artistic Conception during the Periods of Wei,Jin,Southern & Northern Dynasties: Illustrated by the Case of Liu Xie's Wenxindiaolong

"意象"和"意境"是中国古典美学的两个重要范畴。魏晋南北朝时期,刘勰在总结前人对"言"、"象"、"意"关系的哲学讨论和文学艺术创作实践的基础上,在《文心雕龙》中首次提出了具有美学意义上的"意象"观点。刘勰的"意象"观不仅丰富了前人"意象"理论的内涵,也开了魏晋南北朝讨论"意境"理论的先河,并为促进中国古典"意境"理论的发展做出了重要的贡献。

＇Image＇ and ＇artistic conception＇ are two important contain a profound aesthetic thought in the long history Of evolution. aspects of Chinese classical aesthetics, they During the periods of Wei Jin, Southern and Northern Dynasties, on the basis of the conclusion of philosophical discussion about the relationship among ＇speech＇, ＇image＇, ＇significance＇ about literary ＆ artistic creation practice of the predecessors, Liu Xie first proposed the ＇image＇ idea which contained aesthetic significance in Weo_xindiaolong~ Liu Xie＇s ＇image＇ view did not only enrich the predecessors＇ theoretical, connotation of ＇image＇, but also started a precedent of discussion about the ＇artistic conception＇ theory, and made an important contribution to the development of the Chinese classic ＇artistic conception＇ theory.