移情在中国画创作中的运用

Application of Empathy in Creation of Chinese Paintings

"情"亦称"情感移人",在艺术创作中赋予无生命的对象以主体的情感使事物和艺术形式具有人类的情感性质。主客体通过移情作用得到统一,自我与对象融为一体。在中国画创作实践中,运用于线描、赋色等创作过程中,从"应目","会心"至"畅神",创作主体与创作客体完全的融合,达到"物我合一",创作主体进入物我相忘的"物化"境界。从某种意义上来说,意境是由移情产生的。"移情说"在中国画的创作中起着积极作用。

Emotion is also called empathy. In artistic creation, emotion is often shifted to a lifeless object so as to make the object and art be humanly emotional. The unity is realized in the empa thy of subject and object while the painter and the object are being integrated. In the creation of Chinese paintings, when line drawing and color adding are used, the subject and object are completely integrated so as to realize the combination of the painter and the object. The creative subject has entered a world of objectization. In a sense, the artistic affection in procluced from empathy. Empathy plays an important role in the creation of Chinese paintings.