先锋小说“形式”反叛的尴尬命运——以马原小说的接纳过程为叙述中心

Dilemma of Formal Rebellion of Avant Garde Novels:Reception of Ma Yuan's Novels

从分析马原小说《拉萨河女神》发表的文学环境及批评环境开始,梳理了以马原为代表的先锋小说在20世纪80年代被文学批评界接纳的过程,在一定程度上还原了中国先锋小说在诞生及成长过程中的尴尬命运,并指出了先锋小说与政治意识形态的关联。

Analyzing the literary environment and its reception process of The Goddess of Lhasa River by Ma Yuan, a representative Chinese avant garde novelist, in the 1980s, this paper probes into the dilemma of Chinese avant garde novels since its birth and during its reception. Besides, it points out the relationship between avant garde novels and political ideology.