达其性情,形其哀乐——解读中国传统园林与书法之线条情感审美通感

Expression from Emotion and Form out of Emotion——Interpretation the General Aesthetic Emotion of Lines in Traditional Chinese Gardens and Calligraphy

中国传统园林作为容纳多种艺术门类的文化载体,在其发展中与诸多门类艺术相互渗透、相互作用。线条作为中国古代艺术中反映自然形态的一种最简洁、最概括的表现形式,具有鲜明的民族特色。书法作为高度成熟的艺术门类,是线的艺术的不二代表,且为构成园林艺术中不可或缺的组成部分。通过将中国传统园林和书法置于共同的文化语境中,以线条情感审美作为审美通感研究的切入点,分析了园林与书法在审美情感引领下的线条形式美通感,揭示出二者在情形同构下创作与赏析中所体现的情感智慧。研究内容有助于把门类艺术放在中国传统文化艺术这个更为广阔的空间去思考和探索,促进门类艺术得到更快更好的发展,丰富园林创作与赏析之思路。

As a culture media accommodating a variety of arts, the traditional Chinese garden interpenetrates and interacts with various categories of arts in its development. Lines, as one of the most simple and general shape of expression reflecting natural form in ancient Chinese arts, have distinct ethnic characteristics. The art of calligraphy as a highly sophisticated category is a primary representative of line art and an integral part constituted in garden art. By placing traditional Chinese gardens and calligraphy into the same cultural context, the feeling of lines was considered as the entry point for investigating general aesthetic emotion in these two kinds of arts. The emotional intelligence is revealed under both feelings and form in the period of creation and appreciation. The research can improve people put artistic categories in traditional Chinese culture and art using a wider insight to think and explore, which can also promote the creation and appreciation of gardening ideas.