摘要
张晓风的《潘渡娜》是台湾第一篇科幻小说,它以"人造人"的悲剧,表达了对科技万能思想的批判。这种批判一方面通过科技受害者的切身感受追问生存的意义,直抵生命存在之本体论的哲理思考;另一方面还从基督教那里寻求理论支持,具有鲜明的宗教色彩;而诸多的中国意象寄托了海外游子对故国家园的思念;最后小说以象征、暗示、梦幻、潜意识、环境烘托等多种手法,营造出一种悲凉、感伤、颓废、绝望的世纪末情绪,强化小说的悲剧感。
Pandora by Zhang Xiaofeng is the earliest science fiction in Taiwan. By the tragedy of the ＂artificial woman＂ Pandora, the novel expresses criticism of the theory of science omnipotence in four aspects： firstly, to describe the feelings of the three victims of technology and cross-examine the meaning of life; secondly, to use the theory of Christianity as a critical weapon; thirdly, to repose homesickness in Chinese images; lastly, by symbols, hints, dreams, subconsciousness and environment foils to express a kind of century mood to strengthen the tragedy.
出处
《科普研究》
2012年第1期84-89,共6页
Studies on Science Popularization
基金
中国科普研究所"百年中国科幻精品赏析项目"部分成果
论文审定人为姚义贤副所长
