摘要
行业神崇拜在景德镇陶瓷生产中有着重要的地位和作用,是维系瓷业从业人员凝聚力和团结的体现。从象征空间的理论出发,以风火神童宾为个案,探讨景德镇瓷业生产中的文化认同、政治认同,并基于活态的模式来探究风火神崇拜过程中的官民互动。
Worship in the Jingdezhen ceramics industry production has an important position and role, and it is the embodiment employed to maintain cohesion and unity inside porcelain industry. This article begins from the theory of symbol space, take the Wind & Fire Godling Tongbin as a case study, to discuss the cultural identity, political identity, and state - based model to explore the live the Wind & Fire Godling Tongbin and the public worship of the process of interaction in Jingdezhen porcelain production.
出处
《内蒙古大学艺术学院学报》
2011年第4期21-29,共9页
Journal of Art College of Inner Mongolia University
基金
国家自然科学基金研究项目"集于符号学的景德镇陶瓷文化景观研究"(项目编号:41061020)阶段性成果
关键词
景德镇
窑神崇拜
风火神
童宾
活态
文化认同
象征空间
Jingdezhen
kiln god worship
Wind & Fire Godling.
Tongbin
living state
cuhural identity
symbolic