一堂活着的水陆画——陕北横山牛王会活动考察

A Living Drawing Water and Land Painting——A survey of Hengshan Niu-wang-hui in Northern

观察牛王会活动及水陆画存留使用的真实场景及传承模式,感受到了宗教艺术在乡间庙会中的巨大影响力,以及宗教艺术背后显现出的普通百姓的精神需求。认为,民间宗教美术的研究应走出庙宇和书斋,通过对活态的民间宗教艺术品的艺术人类学观察,通向民间艺术活动与普通百姓的精神世界。

To observe the real scene and the mode of inheritance of Niu - wang - hui and use of land and water paintings scene helps the author of the article feel the tremendous influence of the religious art in the rural temple, and the spiritual needs of ordinary people shown behind religious art. Folk religion art should go out of the temple and the room through the anthropology observation of the living state of folk religious art, to get to the spiritual world of the ordinary people through folk art activities.