“零度写作”在中国的接受过程

Reception process of "zero degree writing" in China

"零度写作"在20世纪80年代末成为文学理论研究与文学作品评论类文章中频繁亮相的术语,研究界用"零度写作"评价新写实主义、先锋派等后现代写作。一方面借用"零度写作"对主体的解构,以"零度情感"评价新写实小说,另一方面将"零度写作"理解为摆脱意识形态、摆脱历史记忆的纯粹文学样式,从而将不再承载某种主流意识形态,标榜无意义或消解中心的后现代写作称为"零度写作"。但不同的学者站在捍卫或批判后现代写作的立场,令"零度写作"在中国遭遇了冰火两重天的局面。

Zero degree writing is popular in research articles on literature theory and commentary of literary works by the end of 1980s, The critics use the term ＂zero degree writing＂ to comment on new realistic novels, avant -garde novels and other post -modern writing. On one hand, they borrow zero degree writing to deconstruct the subject; on the other hand, they interpret it as a pure literature form which is rid of history memory and main stream ideology. Critics defined the post - modern writing which is meaning - detached and center - removed as ＂zero degree writing＂. Due to scholars＇contrary positions of either defending or criticizing post - modern writing, ze- ro writing received totally different treatment in China.