专题研究:电影理论的现代转型

The Transition of Modern Film Theory in the Horizon of Phenomenology

作为现代电影理论转型标志的电影符号学极大地改变了世界电影理论的面貌，它的革命性效果体现在其现象学效应上。首先，电影符号学使电影理论跳出了传统电影本体和美学研究的窠臼，大大拓展了电影研究的深度和广度，将电影理论融入了现代人文学术研究的主流；其次，电影符号学修正了传统电影理论旧形而上学式的研究倾向，发展了符合现代哲学精神的现象学理论方法，为电影研究找到了更科学更坚固的哲学基础，为未来电影理论的发展提供了广阔的空间。

Cinematic semiotics has greatly changed world＇ s film theories, its revolutionary outcomes being manifested through phenomenological effects. Firstly, it has enabled film theory to surpass traditional film aesthetics and film ontology, expanded the depth and scope of film study. Secondly, it has settled the old metaphysics problems in the traditional film study and found a new philosophic basis for the film theory.