摘要
横涂竖抹是画家绘画表现中的一种极度自由和自信的状态,其所蕴含的是画家对绘画法度的超越,是有法到无法的具体表征,是画家对绘画艺术的自我解读。其呈示给我们的是,物象与心像,心与手,技与道的高度融合,画家所涂抹表现的是物象的外在表现形式,也是其内在本质规律。横涂竖抹作为塑造形色的一种手段,粗中有细,拙中有巧,放中有收的辩证涂抹,是画家深悟绘画之道的具体表征。
Graffiti is a superb state in which painters freely express their minds with skillfulness and confidence. It represents artists' transcendence of painting techniques and self - interpretation of the painting art. It is also an integration of their extrinsic ways of expressing artistic styles and inner thoughts. Apparently, it is an unintentional way of expressing the painters' minds. However, it is a great philosophy with abstruse principles and mastering this technique is a sign of painters' deep insights into art.
出处
《楚雄师范学院学报》
2012年第2期105-108,共4页
Journal of Chuxiong Normal University
关键词
横涂竖抹
画法
笔墨
表现形式
Graffiti
painting techniques
ways of expressing artistic styles