交融与碰撞:隐喻、修辞、符号理论对音乐叙事理论的启发

Blending and Collision: Implications of Metaphor,Rhetoric and Semiotic Theory for Music Narrative Theory

音乐叙事理论在其确立和逐渐发展的过程中吸收了包括文学叙事学在内的其他学科理论。阿迦伍的主题与修辞理论研究,古克与格雷的将音乐叙事作为隐喻的研究,纳蒂埃、塔拉斯蒂、姆克莱勒斯的音乐符号学研究等,尽管都不是直接研究音乐叙事理论,但都在各自的论域中触及到了音乐叙事问题,这些研究中所采用的一些研究视角或相关概念、关键词等对当代音乐叙事理论的形成和发展产生了不可忽视的作用。

At its establishment and during its gradual development, music narrative theory has drawn on other disciplines, including narrative of literature. Although neither Agawu＇s study of themes and metaphoric theories, nor Guck and Grey＇s study of music narrative as metaphor, nor Nattiez, Tarasti and McCreless＇s study of semiotics of music are in and of them- selves studies of narrative theories of music, they all touch on the question of music narrative in their respective domains and the perspectives of research, relevant concepts and key words adopted in these studies produce an impact on contemporary narrative theories of music that cannot be ignored.