唱说摊簧中的“大陆板”

“Dalu Style”in“Singing and Speaking Tanhuang”

"大陆板"是形成于20世纪初叶唱说摊簧中的一种唱调,它经历了"大陆调"和"大陆板"两个发展时期。大陆调是维扬文戏"银纽丝调"和杭州宣卷"小经调"相加而成的一个"混搭式"产物,自产生后很快就风靡于唱说摊簧界;大陆板的主要板式有"紧拉慢唱"、"流水板"、"二八板"、"垛板"、"三眼板"等,是锡剧在吸收武林班的基础上借鉴其他板式变化而来,此后又对其他摊簧产生影响。武林班艺人对大陆调的形成起到了关键性的作用,锡剧艺人以及后来的新文艺工作者又对大陆板的发展做出了重要的贡献。梳理大陆板的百年发展历程,对其重大转型时期的创新部分加以总结,不仅是唱说摊簧史研究的一部分,更为唱说摊簧今后的创新发展提供了学习、借鉴的范本。

The ＂Dalu Style＂ is a singing pattern of the ＂Singing and Speaking Tanhuang＂ formed in the early 20th century. Its development went through two stages, namely, the ＂Dalu Melody＂ and the ＂Dalu Style＂. The former is a mixture from Yangzhou Opera＇s Yinniusi Melody and Hangzhou＇s Xiaojing Melody and has dominated the Tanghuang circles ever since its inception, while the latter＇s main types, such as ＂Jinlamanchang＂, ＂Liushui Style＂, ＂Erba Style＂, ＂Duo Style＂ ,＂ Sanyan Style＂, etc, were introduced into Wuxi Opera from other styles like the Wulin （Hangzhou） Troupe and in time influenced other Tanhuangs. The actors of the Wulin Troupe made an especially important contribution to the development of the ＂Dalu Melody＂ and the actors of Wuxi Opera and the would-be new literary and art workers made a key contribution to the devel- opment of the ＂Dalu Style＂. Tracing the century-old development of the ＂Dalu Style＂ and summing up the innovations made in its transformational period not only constitutes a part of the research into the ＂Singing and Speaking Tanhuang＂, but also provides a good model for emulation in its futuredevelopment and innovation.