戏剧艺术眼点:戏眼与诗眼

The Eye Spots of Drama:Eye of Drama and Eye of Poetry

诗是一切纯文学应有的特质,是作者与作品中人物情感物化和心灵的活雕塑。戏剧艺术除了要有"戏"外,还必须有"诗",这样就构成了戏剧的两个艺术眼点:"戏眼"与"诗眼"。为了挖掘出"戏"与"诗",作家一方面根据戏剧艺术的叙事性与抒情性文体特点,遵循着"永远的追问"和"永远的情感"思维模式;另一方面又以某种精神探索的意味,把舞台变成灵魂的自白与拷问场,迫使观众和剧中人,连同作者自己一起接受精神的审判。曹禺因此而创作出大师级作品《雷雨》。

Poetry,which is a requisite for all literary genres,can be looked upon as a live sculpture of characters＇emotions and minds.The drama should not only have plots but also poetry,both of which can be regarded as two artistic eye spots： the eye of drama and the eye of poetry.In order to come up with these two things in writing dramas,the writers ought to follow the thinking mode of making lasting inquiry and always stressing emotions by taking into consideration narrativeness and lyricism,and at the same time to make the stage an arena for trying the audiences＇souls.A good case in point is Cao Yu＇s The Storm.