摘要
乡土绘画的这种转型一般被描述为人道主义思潮,它构成了20世纪七八十年代思想解放运动的主要资源,而其动力则来自于对文革的批判,以及对社会主义中国前30年的反思。"人道主义"的诸多表述并非如当时的人所理解的那样具有天然的合法性,而更多是特定历史语境下的话语建构(指示了某种局限性)。
The transition in regional art is often described as thoughts in humanism which formulated the main resources for the emancipation of thoughts movements in the 1970s-1980s.Its drive came from criticism on the Cultural Revolution and reflection on the first 30 years of socialist China.However,various expressions on'humanism'was not necessarily understood to be legitimate.They are rather the construction of discourse under specific historical context(that points to certain limitations).
出处
《东方艺术》
2012年第3期62-65,共4页
Oriental Art
