元代爱情婚姻剧特点的丹纳三因素分析

The Female Character Love with Tenaciousness and Bravery,the Male Character is Timid and Overcautious with Passivity——With the Three Factors from Taine to Talk About the Reason why the Yuan Drama of Love and Marriage Display the Characteristics Above

元代的爱情婚姻剧或以爱情婚姻为主要情节的剧作,多呈现这样一个特点:女性形象变得主动勇敢、坚定执着,男性形象也由负心薄幸变得痴情至诚。但是与女性相比,男性还是表现出了一定程度的被动与怯懦。文章用西方实证主义文艺理论家丹纳的艺术创作及其发展三要素:种族、环境、时代理论对这一现象进行了阐释,从而论证了元杂剧中男女爱情角色所发生的转变。

Yuan Drama of love and marriage or drama with this as its plot displays such a feature： The female image becomes tenacious and brave,the male image becomes also from being ungrateful and lacking in right feelings to infatuatedly sentimental and complete sincerity.But the male image is timid and overcaoutious and shows certain degree of passivity compared with the female.To explore the reason,the Chinese nation and the race quality is playing a latent role,and natural and social environment causes the male to be timid and overcautious.The paticular thought of Yuan dynasty and culture atmosphere,customs and habits,are the main cause forming female the determined character.This agrees with the three factors of Taine,who is the west positivism literature theoretician.Therefore the main body of this thesis is about the reason for the characteristics of love and marriage in Yuan Dynasty Drama.