摘要
秦汉时期的陶俑艺术在中国雕塑史上占有很重要的历史地位。探究秦汉陶俑艺术发展的历史文化动因,可以从其文化源头、艺术风格形成的社会背景等方面作考察,还可以从审美结构的视角,考察秦汉时期中华民族的文化心理结构,基此看秦汉时期的民族文化心理结构,其形成是一个由理性化为感性、由社会化为个体、由历史化为心理的建构过程。
The pottery figurine art of Qin and Han Dynasties occupies an important position in China's history of sculpture. To explore the historical and cultural motivations for the development of pottery art, one can trace from cultural sources and the formation of artistic styles, etc. One can also investigate the national cultural and psychological structure of the period from the perspective of aesthetic structure, which can be regarded as a constructing process from reason to emotion, from society to individual, and from history to psychology.
出处
《徐州工程学院学报(社会科学版)》
2012年第2期95-97,共3页
Journal of Xuzhou Institute of Technology:Social Sciences Edition
基金
兰州大学创新创业行动计划2010年度资助项目
关键词
秦汉陶俑
艺术风格
民族文化心理结构
Qin and Han pottery figurines
artistic style
national cultural and psychological structure