“民族主义”、“民族形式”与“民族精神”——上世纪20—40年代文学民族性的论争与思考

'Nationalism','National Form'and 'National Spirit'——The Debate and Deliberation of the Nationality of Literature between 1920s and 1940s

上世纪20-40年代,中国思想文化界特别关注文学的民族性问题,这一关注具体表现在:"民族主义文学"主张的提出与论战;"民族形式"的讨论;以及从思想文化层面上对"民族精神"的提倡。这些主张与论争对于我们思考文学民族性问题具有重要的启示意义。上世纪20-40年代关于文学民族性的论争基本是从政治与现实需要出发,更习惯于从民族本位的立场出发思考文学民族性问题,而在一个全球化来临的时代,关于民族性问题的思考则应该具有一种世界性的眼光与参与意识。

Between 1920s and 1940s, the idealistic and cultural circles in China were enormously putting their concentration to the nationality of literature which was specifically demonstrated by the presence and controversy of ＂Nationalism Literature＇, the debate of National Form＇ and the advocacy of ＂Nation Spirit ＇ from the intellectual and cultural levels. These assertions and debates are considered it as great enlightenment to our thought for the nationality of literature. Simultaneously, that the controversy for nationality of literature mostly responded in political and realistic perspective, they tended to discuss the nationality of literature from national standard in that period. However, the coming globalization has driven us to the nationality of literature with a world--wide vision and a sense of participation.