摘要
概述了民族志的写作范式从"文化的记述"到"文化科学"再到"文化的解释"三次转向,认为这些变革并没能完全解决民族志写作中的所有疑问和矛盾,尤其是在民族志的真实性上存在的疑问。提出并初步论证民族志的美学转向有可能成为民族志写作范式的新追求。
An overview of the ethnographic writing paradigm from the ＇account of culture＇ to ＇culture of science＇,and then to ＇cultural interpretation＇ is provided.It is argued that these changes have not completely answered all ethnographic writing questions and dealt with all contradictions;especially doubts about ethnographic authenticity.It is proposed and preliminarily proved that the aesthetic turn of ethnography may become a new pursuit of ethnographic writing paradigm.
出处
《大连民族学院学报》
CAS
2012年第2期120-123,共4页
Journal of Dalian Nationalities University
关键词
民族志
美学转向
真实
人生意味
直觉
召唤结构
ethnography
aesthetic turn
authenticity
meaning of life
intuition
appeal structure
