隐逸情怀 儒道互补——冯骥才题画散文及其思想

Recluse Feelings and Complementation of Confucianism and Taoism——Feng Ji-cai's Painting Prose and Its Thought

冯骥才题画散文具有浓郁的道家隐逸情怀,主要表现为:渴望纵情山林,闲居隐逸;痴迷于自然美,着力表现自然美及其带来的心灵震撼;赞美诗意化栖居,人与自然的和谐共处。冯骥才在大自然的怀抱里休养生息,体验人与自然的和谐之情,体验心物交融的美的境界,其人生由此而艺术化。但在本质上,冯骥才思想是传统意义上的儒道互补模式——亦儒亦道。偏向外倾直觉型和内倾感觉型的中间型性格,是形成冯骥才儒道互补思想的主因。

A recluse＇s rich feelings find their full expressions in Feng Ji-cai＇s prose which are ded- icated to paintings as follows： being eager to indulge in the mountains and live a recluse life. Obsessed with the beauty of nature,and trying to display both the nature and the psychic shock that it brings. Glorifying the poetic dwelling and the harmonious coexistence of man and nature. In the arm of thegreat nature, Feng Ji-cai cultivates his temperament and experiences the harmony between man and nature. Thus his life becomes the art itself. In essence, Feng Ji-cai＇s thought is the traditional com- plementation of Confucianism and Taoism a mode of both Confucian and Taoism. And the main factor lies behind Feng Ji-cai^s thought is the ambiversion, which is made up by extraverted intuition and introverted sensation.