论音高组织核心的控制与离散——徐占海歌剧创作中的音高组织观念及表现形态研究系列

On the Control and Discreteness of Pitch Organizational Core——The Research Series about the Pitch Organization Idea and Expression Form of Xu Zhanhai's Opera Creation

本文以徐占海歌剧音乐创作研究为主线,通过剖析徐占海歌剧当中音高组织核心的控制与离散,进一步阐明其音乐创作中的音高组织观念及表现形态。尤其是作曲家在创作中对"音高组织核心"的控制技术与对其有意地予以离散的创作思维更是值得进行深入地探讨和理性的研究。通过研究,可以明显地窥测到作曲家对民族文化的遵从;对作品风格或人物性格的掌控;对新创作技法由心而发的探索;对歌剧音乐创作规律有节的采纳或断然的突破等创作意识。这些都充分地体现了作曲家对待创作过程以及创作预期的深邃、豁达、坦荡的心态和潇洒自如,轻车熟路的创作技巧。

Based on the research ofXu Zhanhai＇ s opera music creation, this paper first analyses the control and discreteness of pitch organization core in his works, then claritics the pitch organization idea and expression form in his music. The composer＇s control technology of ＂pitch organization core＂ and his creative idea of discreteness are especially worthy of indepth study and rational research. Through research, people can clearly find the composer s such creative consciousness as comnlvinWith the national culture, the control of the work style or characters＇ personalkies, the exploration for new creative techniques, the selected adoption of opera musiccreation principles or the outright breakthrough. These thlly reflect the composer＂ s deep, generous, magnanimous mind and smart, free and skillful writing skills in the creative process and creative expectation.