摘要
中国传统宫调理论中的"调高"与"调头"既是两个性质不同的概念,又是相互依存、不可分割的整体。"调高"与"调头"均通过十二律来体现,且数目都是"十二",即十二种"调高"和十二个"调头",决定"音主"高度的"律高"代表"调高",决定"主音"高度的"律高"体现"调头",当乐曲为宫调式的情况下,代表"调高"的律高和体现"调头"的律高合二为一。中国传统宫调理论中的"之调"与"为调"两种称谓法,实际上就是"调高"称谓法和"调头"称谓法,二者属于一个系统的两个层次。
In traditional Chinese gongdiao theory, ＂diaogao＂ and ＂diaotou＂ are interdependent and indivisible integrity though they belong to different concepts. They both are embodied by shier 1 （twelve principles） and their numbers are both twelve. Lgaoil, which determines the height of ＂yinzhu＂, represents ＂diaogao＂, while ＂lgao , which decides the height of ＂zhuyin＂, signifies ＂diaotou＂. When a musical composition is in the pattern of gongdiao, they. combine into integrity. In traditional Chinese gongdiao theory, the two names ＂zhidiao＂ and ＂weidiao＂ actually refer to ＂diaogao＂ and. ＂diaotou＂. Theybelong to t2vo evels of the same system.
出处
《乐府新声（沈阳音乐学院学报）》
CSSCI
2012年第1期180-182,共3页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
教育部人文社会科学规划基金项目<黄翔鹏"宫调学"理论体系研究>(课题批准文号:12YJA760039)的阶段性成果之一
关键词
调高
调头
音主
主音
律
声
之调
为调
diaogao / diaotou / yinzhu / zhuyin 71 / shefig / zhidiao / weidiao
