摘要
奥地利女作家伊尔泽·艾兴格在《更大的希望》、《我的父亲》和《稻草父亲》三部作品中刻画了三个性格迥异、特点鲜明的父亲形象。三个父亲形象各自独立存在,社会地位与生活环境完全不同,却又一脉相承,恰似同一个人的三个不同人生阶段。随着父亲从拥有至高的权力和地位到逐渐失去权力,步入老年,父女关系也经历了从不可调和到冰释前嫌的演变。作家试图在作品中找寻记忆中遥远模糊的父亲,填补幼时失去父亲的记忆空白,寄托她对父亲深沉的爱。
The Austrian contemporary women writer IIse Aichinger portrayed three different images of fa- ther in three works "The Greater Hope", "My Father" and "The Father from Straw". These three father images exist independently in three works with different social status and living environment, but just lake three different stages of one person's continuous life. As the father with Supreme power and social status getting old without any power, the irreconcilable father-daughter relationship becomes to bury the hatchet. The writer tried to find the distant and fuzzy memories of her father in these three works as an expression of her love to him.
出处
《吉林师范大学学报(人文社会科学版)》
2012年第2期21-23,共3页
Journal Of Jilin Normal University:Humanities & Social Science Edition
关键词
父亲
父亲形象
艾兴格
father
father image
Aichinger