摘要
在德国,音乐创作和音乐学分属两个不同的领域和归属。前者重视音乐实践,侧重技术训练,隶属于音乐学院或艺术学院;而后者则被看成是人文学科,侧重精神领域的研究,归类于综合大学的文科类。它们长期以来平分秋色、各有所长,是德国音乐发展中的两个重要分支。本文以德国当代作曲家、音乐学家为例,针对他们的言论、音乐创作,提出自己的一些看法和思考。
In Germany, music creation and musicology belong to two different fields. The former thinks highly of music practice and technique training, being subordinate to the Conservatories of Music or Art Schools, while the latter is treated as the humanities, putting emphasis on the study of moral field and being classified to the liberal arts of universities. Both of them have equal shares and each of them has its own strong points, being important branches of the development of German music. By taking several modern German composers musicologists as examples, the author puts forward some views and reflections of his own based on their speeches and music compositions.
出处
《音乐探索》
CSSCI
2012年第1期75-80,共6页
Explorations in Music
关键词
德国当代音乐创作
先锋派
历史音乐学
隐喻式创作
music of modem German composers
avant- game
historical musicology
metaphorical creation