“十七年”满族作家文学梳理

Review on the Manchu Literature during the "Seventeen-year"

中华人民共和国创建伊始"十七年"间的满族文学,清晰地带有历史的制约痕迹。业已显示出创作实力的满族知名作家们,囿于当时独尚一尊的文艺必须"为无产阶级政治服务"刚性原则,只能走在题材选择十分逼仄的道路上。百部并腔绝唱寡,只有老舍,利用有限时机,以个性书写向文艺界清规戒律发起衅战,完成了话剧《茶馆》与小说《正红旗下》的开篇,成了满族文学在该过程绝无仅有的独特"族性"书写。回忆起"十七年"的满族文学,人们不能不说,真正做到了在民族文学本质意义上丰沛书写的作家,实在太少了。假若没有老舍的话,满族文学在该过程中特有的"族性"书写,几乎要交白卷。

The Manchu literature during the ＂seventeen-year＂ after the founding of the PRC,has clearly historical restriction.Those famous Manchu writers can only choose limited kinds of writing subjects because of the rigid principle ＂Serve proletarian politic＂.Unique writing were rare.Lao She finished the drama Teahouse and the first part of novel Zhenghongqixia,who was the only person who used the personalized writing challenging the sacred rules of the religious order.His drama and the novel was the unique nationality writing during that time.Reviewing Manchu literature in those＂seventeen years＂,people have to say that writers who truly realize the full writing essence of ethnic literature are very rare.If there had been no Lao She,Manchu literture would have handed in a blank test paper in this unique ＂ethnic writing＂.