摘要
沈括在《梦溪笔谈.书画》中提出的"以大观小"论,是中国特色透视观的经典言论之一,体现了庄子"以道观之"的观物态度。"以大观小"之"大",正是"道"之大,只有"道"才具有小天下的大视野,才能穿越物我的藩篱,时空的界限,沟通物物的关系,建构起多向度、多层次的立体网状新视域;"以大观小"之"观",融哲学思想、心灵观照与视觉现象于一炉,而不纯粹发生在视觉领域。沈括式透视观,是庄子"以道观之"的哲学思想在绘画领域的落实。
Shen Kuo proposed his view of "macro observation into details" in his work Dream Pool Essays · Painting and Calligraphy, which is one of the classic statements of the perspective view with Chinese characteris- tics. It embodies the free perspective of Chuang Tzu's view of "macro observation with the perspective of taoism". The "macro" in " macro observation into details" is the "macro" in "macro observation with the perspective of Tao- ism". The vision embodied in the world of Taoism can cross the barriers of time and space, and communicate the relationship between things, and construct a multi-direction, multi-layered and three-dimensional network perspec- tive. Therefore, the "observation" in "macro observation into details" integrates philosophy, spiritual reflection and visual phenomena rather than limited in the visual field. Shen Kuo-type perspective view is the implementation of Tzu's attitude of observing objects, namely, "observation of objects by objects", in the area of paintings.
出处
《闽江学院学报》
2012年第1期73-78,共6页
Journal of Minjiang University
基金
福建省教育厅社会科学研究项目(JBS10161)
关键词
沈括
以大观小
以道观之
透视观
庄子
Shen Kuo
macro observation into details
macro observation with the perspective of Taoism
per-spective view
Chuang Tzu