摘要
台湾电影的日本想象在"解严"之后发生了巨大变化,"日本"作为一个殖民帝国主义的负面形象,悄然变身为"殖民地怀旧"与"大众文化迷恋"的对象。"殖民世代"的"恋日情结"与"战后世代"的"文化哈日"在电影中混杂汇聚,共同形成了一个融铸"后殖民乡愁"和"国族身份狂想"于一体的影像奇观。重构"日本想象"是台湾社会进行主体历史再生产的重要内容,其不过证明了当下台湾社会的物质生活与文化想象,依然笼罩在殖民主义的无意识梦魇中,"去殖民"仍然是一个有待在未来完成的项目。
The imagination of Japan in Taiwan movies, Japan had undergone great changes after ＂martial law ended＂. Japan as a negative image of colonial imperialism, was quietly transformed into an object of ＂colonial nostalgia＂ and ＂deeply-attached popular culture＂. ＂Complex obsessed with Japan＂ in the ＂colonial generation＂ and ＂craze for Japanese culture＂ in ＂post-war generation＂ were mixed together in the films and formed a spectacle image merging ＂post-colonial nostalgia＂ and ＂fantasy of national identity＂. Reconstruction of ＂Japan＇ s imagination＂ is the main important part of reproduction of the subject history by Taiwan society. It proved that the material life of eontemporary Taiwan society and the cultural imagination are still enveloped in the unconscious colonial nightmares. ＂De-colonialism＂ is still a project to be completed in the future.
出处
《东方论坛（青岛大学学报）》
2012年第1期51-57,共7页
Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）
关键词
台湾电影
日本想象
身份认同
台湾意识
后殖民
Taiwan film
imagination about Japan
identity
Taiwan consciousness
post-colonial
