竹屋词的升沉起伏与清代词学的演进

Rising and Declining Popularity of Zhuwu's Ci Poems and Historical Development of Ci Poetry in Qing Dynasty

在清代词学的演进历程中,高观国词的升沉起伏是一个富有理论价值的问题。从最初王士禛的高度评价、浙西词派的大力推举到后来常州词派的极端轻视和重新审视,竹屋的词坛地位大致呈现出先升后降的走势。清人对于竹屋词的探讨,基本从字句、咏物、音谱三个方面开展,而考察角度的相对通行也显示出竹屋在独占性上的欠缺。尽管拥有来自浙派的宣扬,高观国还是未能跻身经典大家行列,与之并称的词人也逐渐从史达祖变成周密。

The historical development of ci poetry in the Qing Dynas laxity of the ci poems written by Gao Guanguo （ i. e. Zhuwu）, whic ty witnessed the rising and declining popu- h constitutes a research issue of great aca- demic value. The acceptance of Zhuwu＇s ci poems underwent a change in the ci field from the high accolade and praise given by Wang Shizhen and Zhexi Ci School to the belittlement from the Changzhou Ci School. The scholars of the Qing Dynasty approached Gao＇s poems from three aspects： diction, theme and meter. The adoption of these three common perspectives for doing criticism of Gao＇s poems means an absence of novelty and uniqueness in his poems. Despite the praise from the Zhexi Ci School, Gao Guanguo was still not ranked as one of the classic masters, and the poet regarded as his equal was also changed from Shi Dazhu to Zhou Mi.