摘要
苗族神话所构建的是一幅人与自然和谐共生的诗意图景,蕴含着"天人合一"的中国古典美学思想,表现了人与对象依生、共生、整生的审美境界。同时,这种和谐也体现在人的内在精神的和谐上。本文试图以月神神话、巨石神话、枫木图腾神话、鸟图腾神话为例,用生态美学的视角对苗族神话作一次新的解读,以进一步发掘神话中的生态智慧。
The Miao nationality myth structures a poetic frame of harmonious intergrowth between people and nature, which contains the Chinese classical aesthetic thoughts of "The unity of sky and people".These myths show the YiSheng, Intergrowth, Integration's aesthetic state between people and object.Meanwhile,this harmony also shows the intrinsic harmony of the spirit. This paper takes the moon god myth, the giant stone myth, the Chinese sweet gum totem myth, the bird totem myth as cases, observes and studis the Miao myths again via the visual angle of the ecological aesthetic. We will unearth Miao myth's ecological wisdom further.
出处
《江西广播电视大学学报》
2012年第1期27-30,共4页
Journal of Jiangxi Open University
关键词
人与自然
亲密共在
苗族神话
生态美学
意蕴
Man and nature
intimate coexistence
Miao nationality myth
ecological aesthetics
implication