摘要
坪坦乡,拥有山水错落的丰富自然景观,身倚百年历史的风雨桥,它生来便有独特的文化背景。文章介绍了在湖南坪坦乡侗族村落的"新通道"景观实践,记录了创作人员在三个村寨的景观设计过程,设计师以人文环境与生态要素为切入点,通过寻找当地侗族文化的原型语言,力求使设计结果兼具趣味性、地域性跟艺术性,并与现代景观的个性有机契合。本次设计,就民族传统文化如何在现代设计思想与社会文化语境中寻求适合自我生存与理性发展的途径进行了探索。
"Ping Tan Village, teaned against wind-rain bridge with a history of hundreds of years, is endowed with abundant natural landscapes and a unique cultural background. This article introduced the practice of a "New Channel" in Ping Tan Village of Hunan Province. It recorded how the designers researched the landscape design in the three countries. In the project, the designers started from a study of the humanistic and ecological characters, trying to create a modern landscape complex combined with local archetypal language. In addition, the designers hope to explore how traditional national culture can be survived and developed in the context of modern design concept.
出处
《华中建筑》
2012年第4期126-128,共3页
Huazhong Architecture