“何必非真”的审美原则与黄梅戏莎士比亚喜剧《无事生非》

Use of Postclassical Narrative in Huangmei Opera Version of Shakespeare's Comedy Much Ado About Nothing

后经典叙事注意到叙述媒介的多样性,在叙事学讨论的范畴内戏剧也受到了初步接纳。黄梅戏以"何必非真"的审美形式演绎了莎士比亚喜剧《无事生非》。黄梅戏《无事生非》借助于唱腔和表演展现了《无事生非》中人物的性格、心理、行动,将黄梅戏唱腔、表演之美拼贴入莎剧《无事生非》的情节之中。黄梅戏《无事生非》的美学形态呈现了后经典叙事、元叙事与虚拟、写意基础上的审美叠加。

Since the diversity of narrative medium became a distinctive feature in postclassical narrative theory,drama has also been subsumed in the research range of narratology.With a unique style of singing,Shakespeare ＇ s Much Ado About Nothing was vividly performed in the form of Huangmei Opera.This Sinicized Much Ado About Nothing reflected Shakespeare ＇ s comic spirit by means of freehand brushwork in the technique of expression.Through the instrumentality of Chinese aria and performance,Huangmei Opera-Much Ado About Nothing reflects the true nature of the original characters,including their personalities,inner worlds and actions.Moreover,it also incorporates the graceful Huangmei aria and dance with the original plot.This Sinicized adaptation,which is formulated by collage,shows its different aesthetic form in postclassical narrative from the play by Shakespeare,and actualizes the goal of postclassical narrative,metafictional narrative and the aesthetic nestification on the basis of virtuality and impressionistic style.