摘要
景观美学是当代新兴的美学研究领域,作为审美对象,景观不同于各种传统艺术形式,因此对于景观的欣赏是否能沿用以往的审美模式、景观欣赏者的审美心理活动与以往有着怎样的差异,成为现阶段美学所关注的一个重要问题。分析了其中两种主要观点即"分离式"的审美模式和"介入式"的审美模式,并在对二者进行比较和评价的基础上得出结论,与"分离式"的审美模式相比,"介入式"的审美模式更加适宜当代社会对景观欣赏的要求和审美发展趋势,而中国古代美学当中关于人与自然相互关系的传统观念对这种审美模式则有着深刻的启发意义。
Landscape aesthetics is the emerging field of study in contemporary aesthetics. As an aesthetic object, the land scape is different from the various traditional art forms. So the appreciation of landscape is also different from the previous aesthetic modes. This paper analyzes two patterns of landscape appreciation, namely, " separate aesthetic mode" and " interventional aesthetic mode". Compared with the former, the latter is more suitable for the landscape appreciation in modern society, and fits with the development trend of the times. In addition, the traditional concept on man-nature relationship in ancient China has a profound inspiration to the " interventional aesthetic mode".
出处
《山西农业大学学报(社会科学版)》
2011年第10期1073-1076,共4页
Journal of Shanxi Agricultural University:Social Science Edition
关键词
景观美学
分离式审美
介入式审美
Landscape aesthetics
Separate aesthetic mode
Interventional aesthetic mode