摘要
《资本论》是王元化文艺美学研究的"良箴"。王元化文艺历程贯穿着《资本论》因素,其《文心雕龙》研究首次将《资本论》导入中国美学领域,他晚年倡导的"人文理想"与《资本论》思想资源潜在关联。西马美学论者几乎无人不读《资本论》,王元化学术中的《资本论》因素启示了马克思主义美学中国化的新途径。
Wang Yuanhua benefitted a lot from "Capital". There were lot factors of "Capital" in his literal aesthetics. His research upon "The Carving of Dragons" first introduced "Capital" to the field of Chinese aesthetics. We could also see the potential correlation between his "humanistic thought" advocated in his late years to "Capital". Almost every western Marxist reads "Capital". "Capital" factors in Wang Yuanhua's academic studying inspire a new way that Marxism aesthetics becomes a Chinese one.
出处
《艺术百家》
CSSCI
北大核心
2012年第3期65-72,共8页
Hundred Schools In Arts
基金
2011年度国家社会科学规划基金项目"<资本论>美学研究"(项目编号:11BZW018)
暨2010年度上海市哲学社会科学规划课题项目"王元化文艺美学研究"(项目编号:2010BWY001)阶段性成果之一
关键词
资本论
文艺美学
文心雕龙
中国文化传统
王元化
西马
中国化
Capital
Literal Aesthetics
The Caving of Dragons
Wang Yuanhua
Western Marxism
To Become Chinese