摘要
20世纪90年代以来,中国的大众文化日渐崛起,并且在短短20年的时间里,发展壮大成为与来自官方的主流文化和来自知识分子的精英文化三足鼎立的重要文化形态。置身于这样的文化语境中的文学不可能不被打上深刻的烙印,网络文学的兴起成为人们释放内心压力和孤寂的平台;文学创作和出版运作、商业操作之间的融合与冲突成为不容小视的重要现象,借助大众文化迅速发展的"东风",文学也有了更多样化的主题和更广阔的发展空间,但一味地迎合或无原则地宽容会在某种程度上使文学发展走向另一个极端,出版运营商对作品或某些作家的炒作更是加剧了文学的"异化"进程。
Since the nineties of the 20th century,China's mass culture has been emerging.And in just 20 years,the mass culture have developed into one of the three pillars of the important cultural form with official culture and intellectual elite culture.Exposed to the cultural context,the literature can not be marked on a deep imprint.The network literature becomes a platform for releasing the pressure and loneliness;the integrations and conflicts between the literature and publishing operations have become an important phenomenon that can not be overlooked.With the rapid development of mass culture,literary has gained more diversified themes and a broader space for development.However,blind or unprincipled tolerance will lead the literature to the other extreme.Besides,the "alienation" process of the literature is being intensified owing to the speculation of publishing operators.
出处
《河北科技大学学报(社会科学版)》
2012年第1期72-77,共6页
Journal of Hebei University of Science and Technology:Social Sciences
关键词
大众文化
网络文学
文化产业
异化
mass culture
network literature
cultural industries
alienation