“铁幕”的循环利用——兼谈近来人艺引进的两台外国戏

Cecycling the Iron Curtain:A Discussion of Two Foreign Plays by the People's Art Theatre

文章通过分析德国剧作家博尔歇特的代表作《在大门外》的创作背景、传播历史和演出实况,探讨了"文化冷战"在新世纪的袅袅余音,并对近期北京舞台上的一些引进剧目做了意识形态层面上的解读。

The author of this article introduces the creation, dissemination and performances of Wolfgang Borchert＇s Drauβen vor der Tilr, in an attempt to examine the extension of the cultural Cold War in the 21st century and to offer some ideological interpretations of the foreign plays on recent stage in Beijing.