阿尔托“残酷戏剧”理论在中国大陆的传播、研究与影响

The Dissemination,Research and Influence of Antonin Artaud's "Theatre of Cruelty" in Chinese Mainland

中国大陆引介阿尔托的"残酷戏剧"理论已有近三十年的历史,作为现代与后现代戏剧的一个重要理论资源,该理论在一定程度上影响了我国新时期以来的戏剧革新进程,丰富了我们的戏剧本体论、舞台演出艺术以及美育意识和审美风格。但对该理论的认知、传播和研究还有着很大的局限性,除了本土因素以外,该理论自身的晦涩难解也是重要原因。

It has been nearly three decades since Antonin Artaud＇s ＂Theatre of Cruelty＂ was first introduced to Chinese mainland. As an important modem and post-modern theoretical resource, it has played an important role in the innovation of Chinese drama, and has enriched our outlook to theatre, the art of theatrical performance, as well as our ideas of art education and aesthetical style. Its dissemination and research, however, are limited, resulting in inadequate understanding. Local factors apart, the obscurity of Artaud＇s theory contributes greatly to the situation.