摘要
如果将唐五代时期花间曲词看作文人之间、文人与民间情感能量互动行为中的"符号资本",那么花间词则可以看作是当时特定社会时期的流行文化符号。文章运用社会学互动仪式链理论,探究文人在"笙箫歌舞"的江南这一特定历史时期的社会微观情景中,在填词的社会互动的仪式链的交换情感乐趣中,我国第一部文人词集选《花间词》这一"符号资本"流行的传播本质规律。
The poetic style of Ci Verse in Flowers could be the symbol of the popular culture in the particular era,if we look upon Ci and Qu Verse of Flowers in Tang And Wu-dai as the ＂symbolic capital＂ of emotional interaction among literati or between folk people and literati.The south China was an epitome of self-indulgence——people were immersed in a corrupted life.Under such a microcosmic social circumstance at that particular period,the collection of Ci Verse in Flowers came into being during the social interaction in which literati actively participated and exchanged their affection while composing Ci.Based on the theory of Interaction Ritual Chains,this paper makes a thorough inquiry of the intrinsic transmission law of the earliest collection of Ci Verse in Flowers,namely,the ＂symbolic capital＂.
出处
《东华理工大学学报（社会科学版）》
2012年第1期32-35,共4页
Journal of East China University of Technology(Social Science)
基金
2010年江西省社科规划项目<传播视域下花间词的承传研究>阶段成果(10TW25)
关键词
花间词
互动仪式
情感能量
符号资本
传播
the collection of Ci Verse in Flowers
interaction ritual chains
emotional energy
symbolic capital
transmission
