摘要
杜甫对李白的叙写主要有三类,正是这三类描写,刻画了全方位的李白形象。在整个唐代,也只有杜甫这般细致描摹出了李白姿态,这最早同时也是最真实的描绘,于后人认识李白,具有非凡之意义。杜甫对李白诗歌的推崇,也正是体现了南北文化合流在李白身上的体现,奏出了真正的盛唐之音。可以说,杜甫叙写李白,在树立了李白形象及诗坛地位的同时,也间接确立了李杜的并列地位。
The narrations and descriptions of Li Bai by Du Fu can be divided into three categories which de- picted the image of Li Bai from all aspects. Throughout the Tang Dynasty, only could Du Fu delineate Li Bai~ pos- ture in such details, which was the earliest and most realistic depiction, so such depiction was of extraordinary sig- nificance for later generations to comprehend Li Bai. The high praise of Li Bai$ poetry by Tu Fu embodied the con- fluence of southern culture with the northern one on Li Bai and produced a real music of the prosperous Tang Dy- nasty. It can be said that, when describing Li Bai and fostering his image and status in the poetic circles, Du Fu established his parallel status with Li Bai, as well.
出处
《绵阳师范学院学报》
2012年第1期18-21,共4页
Journal of Mianyang Teachers' College
基金
四川省教育厅人文社会科学重点研究基地李白文化研究中心课题"李白诗学文化的核心精神价值研究"的阶段性成果之一
项目编号:LB09-16
关键词
李白
杜甫
李杜
南北文学
Li Bai
Du Fu
Li and Du
northern and southern literature