摘要
人们对陶瓷釉色探索的根本动力来自装饰的心理需要。从单一的青瓷发展到缤纷艳丽的明清色釉瓷,在丰富我们视觉体验的同时,由此带出了一连串关于釉色的名称,它们事实上成为了传统色釉瓷发展中的一道独特的文化景观。好的命名能够激发起鉴赏者积极的审美想象,将色釉瓷的艺术性提高到新的高度。
Human exploration of the ceramic glaze decoration of the fundamental driving force is from the psychological needs.Development from a single celadon color to colorful Mingqing vitreous enamel,ceramic glaze enriches our visual experience and also brought out the long list of traditional vitreous enamel color name.the image of the glaze to promote the appreciation of naming by its positive aesthetic imagination,they actually become a tradition in the development of a color glazed unique cultural landscape.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2012年第4期66-68,共3页
China Ceramics
基金
南京师范大学校青年人才科研培育项目(1009039)
关键词
色釉
意象
美学
色
命名
color glaze
image
aesthetics
color
name
