摘要
近代上海女性的身体移动空间范围和移动方式决定了女性摆脱传统封建文化约束的自由度。晚清小说家陆士谔的《十尾龟》对上海妓女的描绘显得独特而有新意。在上海这个流动性和开放性空间中,快捷的身体移动方式把上海妓女和家庭妇女勾连在一起,使她们对女性身体产生新的感知和体验,让她们认识到追求自身欲望的合理性和可能性。这种女性觉醒意识的出现离不开上海这个流动性空间。
The space boundary and the way of body moving of women in modem Shanghai determined the degree of their freedom of breaking away from the restriction of traditional feudalist culture. The later Qing Dy- nasty novelist Lu Shie' s Tortoise with Ten Tails gives a unique at that time. In a movable and opening space of Shanghai, th novel account of the prostitutes of Shanghai e quick and convenient way of body moving has linked together the Shanghai prostitutes and housewives, let them experienced a new perception of woman body, as well as recognition of the possibility and rationality of pursuing their own desires The emerging of this kind of awakening would have been impossible without the movable space in Shanghai
出处
《南京师范大学文学院学报》
CSSCI
2012年第1期121-126,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
上海市委宣传部委托上海市文化基金会项目"上海近代小说家陆士谔研究"
项目编号:48604740
关键词
陆士谔《十尾龟》
女性
Lu Shie
Tortoise with Ten Tails
female