重构文艺场域与文艺机制(1949-1956)

Reconstructing Literary Field and Literary Institution(1949-1956)

本文试图通过具体文艺作品的生产与流通,分析推动共和国初期文艺机制变革的主要因素。一方面,探索文艺生产场域的运作逻辑,如文艺政策对于"工农兵写作"与"写工农兵"的偏向,文艺部门对于个体写作的介入等。另一方面,探索文艺评价场域的运作规则,如文艺发表空间的"边界"规范,文艺评价体系对"事功"的偏移等。本文试图借此揭示1949年后各场域间的结构关系如何赋形于文艺生产之中,促进并维护文艺系统的运作。

From the production and circulation of specific literary and art works, this paper analyzes the main reason to push the revolution of literary system at the early ages of Peoples＇ Republic of China. It addresses this Lopic from the following two aspects. First, it analyzes the operational logic in the area of production of literature and arts, such as the preference of a new literary policy which promotes proletarian litenlture. Second, it shows how a new idea of liLterary value was commented such as the required area of literary and art creative work and preference for the deed. The paper ＂will disclose how the structural relationship between different areas shows in the literary and art production and protect the running of its system after the regime change of 1949 in China.