明清江南城镇的兴盛及其文化辐射功能——以《鸳鸯湖棹歌》的唱和为考察中心

Prosperity of Jiangnan Towns in Ming and Qing Dynasties and Its Cultural Radiation Function——With the Responsive Composition of “Lovebirds Lake Boatman Chantey” as the Focus of Study

明清时期,在商品经济繁荣的大背景下,我国江南地区的城镇大量涌现,成为城市化发展的重要标志。这些城镇不仅是财富的宝地,而且是人文的渊薮,其文风之盛,几可于一些大中城市相颉颃。康熙十三年(1674),作为梅里词派主要代表的朱彝尊,写下了一百首以嘉禾平原城镇为歌咏对象的组诗——《鸳鸯湖棹歌》,由此引发了历史悠久的唱和行为,成为引人瞩目的文化现象。本文通过对朱彝尊原诗及和诗的文化解读,及其刊刻情况的梳理,旨在探讨本时期江南城镇所具有的独特的文化辐射功能。

In Ming and Qing Dynasties,against the background of economic prosperity,it saw continuous emergence of towns in China's Jiangnan areas.These towns boasted of massive wealth and haunts of humanities.Writing was a vogorous phenomenon that was no inferior to that of large and medium-sized cities.In 1674,the 13th year when Kangxi reigned in the Qing Dynasty,Zhu Yizun,the main representative of the school of Mei Li Word,wrote down 100 pieces of poems taking towns across the Jiahe Plain as the object of singing,entitled 'Lovebirds Lake Boatman Chantey',which initiated the historical glory of composing a poem in response to one received.Since then,it has become a conspicuous cultural phenomenon.This article,through cultural interpretation of the original poems written by Zhu Yizun and relevant researches on the poems in response to them,combined with the combing of the publication of engraving the abovesaid poems,is aimed at discussing the unique cultural radiation function of the phenomenon.