革命时代的“里拉琴”-手风琴怎样成为一个时代的音乐物态象征

How Did Accordion Become a Musical Symbol of an Era

由于西洋乐器手风琴携带方便、节奏鲜明、音色多样、和声丰富、伴奏灵活,成为中国革命时代进行宣传鼓动工作的有力工具。它从东北和上海两个源头进入中国,尤其在20世纪50年代中国"一边倒"时期,伴随苏俄文化大举侵淫大陆各地。在从抗日战争起到文化大革命的各个阶段,都留下其不倦的声音,成为中国现代史上革命时代的音乐器物象征。然而,只有在改革开放的新时期,只有当手风琴回归到与其他乐器同等的地位,我们才有可能真正建立起手风琴演奏的独立的音乐表演学科体系。

Accordion become a powerful tool for the work of publicity agitation during revolution era in China mainly due to its easy to carry, distinctive rhythm, various timbre, and rich harmony as well as easy to accompaniment. The accordion enter into China from two sources： the Northeast and Shanghai, especially in the 1950s while a ＂one-sided＂ period popular in the mainland accompaning with the Russian culture. In each revolutionary stage, from the Anti-Japanese War to the Cultural Revolution, it left the perpetual voice, become a musical symbol of instrument in the age of revolution in Chinese modern history. However, only in the new period of reform and opening up, as the accordion return to the same position as the other instruments, we can be really estabilish a discipline system of the independent music performance for accordion playing.