摘要
文章在音乐基础理论中借用"格式塔"完型理论,通过将格式塔理论套植在音乐的内容与形式的关系之中,为该关系找出发生对照的合理理论,并通过该理论来对音乐的审美及其效用进行解释,探讨音乐的构成及审美效用等问题,提出音乐的完型心理创作与审美的方式。
Borrowed "Gestalt" theory in the basic theory of music, the articles discussed that through setting the gestalt theory into the music of the relationship between content and form, find reasonable theory according to this relationship, and through the theory to explain the musical aesthetic as well as its utility, ex- plored music constitution and its aesthetic effectiveness, proposed the music of gestalts psychology creation and aesthetic method.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2012年第2期44-47,共4页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
格式塔
异质同构
音乐创作方式
音乐构成依据
Gestalt heterogeneous isomorphism music creation method the basis of music constitution