摘要
本文将从多元性的主题形态、多项性的答题方式、织体构成的多面性、赋格结构的多样性四个方面分析说明本特松的《平均律钢琴曲集》,进一步揭示其赋格曲创作思维。并希望通过笔者的分析、研究,引起学术界对现代复调技法与古老复调体裁——赋格曲相结合的关注,进一步深入了解和认识。并为丰富现代复调的教学内容及现代音乐的创作,提供某种参考。
This paper will form the theme of diversity, a number of the answer, the texture of a multifaceted, Fugue in the diversity of the four , to analyze Bentzon's "THE TEMPERED CLAVIER"op. 157. Further reveals his Fugue in creative thinking. And I hope that through the analysis, research, academic rightfrom the modern and ancient techniques Polyphony Polyphonic Genre-Fugue combination of concern, further in-depth understanding and knowledge. And for the rich polyphony of modern teaching content and the creation of modern music, providing a reference.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2012年第2期74-83,共10页
Huangzhong:Journal of Wuhan Conservatory of Music