摘要
历史上荆楚大地巫风浓郁,弥漫着浪漫主义的神秘气息。汉唐以来,湖北道教乐舞艺术被广泛运用于荆楚祭祀活动之中,荆楚先后涌现出不少精通乐律的名师高道,他们潜心于名山宫观以乐修身、以琴明志。荆楚道教乐舞以先秦荆楚巫祝歌舞为基础,秉承楚地先民的文化精神,以其宗教性、兼容性和开放性的艺术特征不断发展和繁荣,形成了湖北道教历史上一种独特的宗教文化现象。
There were popularity of witchcraft in Jing-Chu area in the history. The Taoist dance with mu sical accompaniment was prosperity, widely used in the activity of sacrifice in Jing-Chu area. There were a number of Taoist priests skillful in the musical temperament, and they cultivated own moral character with music and showed own high ideals with qin in the temple. Based on the Wuzhu song and dance in Jing-Chu in pre-Qin period, that the dance with musical accompaniment of Taoism in Jing-Chu area adhered to the spirit of the culture of ancestors in Chu, keep on developing and prosperity with the art futures of religious, compatibility and opening, formed an individual phenomenon of the religion culture in the history of Taoism in Hubei.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2012年第2期95-100,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
荆楚大地
湖北
道教
楚巫祝歌舞
乐舞
Jing-Chu area Hubei
Taoism
Wuzhu song and dance in Chu
dance with musical accompa-niment