摘要
女性是晚明名士潘之恒的主要写作对象。他对女性的审美从道德、才艺和外貌三个方面展开。通过他的女性审美观能够看出明代节烈风气的盛行、晚明文人集体征色活动的时尚性以及青楼曲艺的繁荣。同时这一审美观还体现出晚明风尘佳人独特的文化内涵,显示出当时文人在遵守礼法的前提下对女性角色功能的多角度认识,及其对女性才能的肯定,具有重要的社会文化意义。
Woman were the main writing object of PanZhiHeng, the famous figure in the Late Ming Dynasty. His aesthetic about women unfolded from morality, talent and appearance. Through his women aesthetics could see chastity ethos, the prevalence in the Ming Dynasty, fashion of literati levying beauties collectively, and the prosperity of Chinese traditional opera and other art forms in brothel, Meanwhile the aesthetics also reflected the unique cultural connotation of the courtesans in the Ming dynasty, showed that the literati understanded female roles function from different angles with the premise of observing Chinese tranditionat morality, especially the affirmation of female talent, hayed the important social and cultural significance.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2012年第2期233-238,共6页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
潘之恒
女性审美
风尘佳人
PanZhiHeng
Aesthetics about women
Courtesan