萧纲赋考论

Xiao Gang' s Fu Works:Investigation and Comments

现存萧纲赋按内容可分为述志赋、抒情赋、咏物赋、宫体赋、游戏逞才赋五类,其中宫体赋最有特色。萧纲宫体赋的描摹程式是由咏物到咏女性,写作倾向上只为描摹而描摹,不动感情。由此推理,萧纲对赋的理解相当通脱,题材无所约束,描写无所顾忌,符合其"放荡为文"的文学观。《悔赋》作于侯景乱中,是萧纲少有的严肃主题的作品,萧纲借此痛定思痛、批判现实,表达勘定战乱、中兴国家的信心。《悔赋》与宫体赋主题截然不同,这对于反思宫体文学有着深刻的启示意义。

The existing Fu writings of Xiao Gang can be classified into five categories in terms of content, including the works on description of the ambitions, lyrical works, chanting works, palace - style works and works on games and demonstration of the talents, in which palace -style works is the most distinctive one. Transiting from chanting things to chanting females is the formula of the palace - style works of Xiao. His works is inclined to describe things without expressing emotion. Therefore, he had completely comprehended the style of Fu and theme of his Fu works was boundless, and the description was without inhibitions, which abide by his literature concept of dissipation. ＂Fu of Regret＂, was composed during the Riot of Hou Jing, is the rare works of Xiao＇ s works which are serious- themed. Xiao was aimed to draw a lesson from a bitter experience and criticize the reality, therethrough to express the confidence of pacifying the riot and revitalizing the nation. The theme of ＂Fu of Regret＂ is completely different from that of palace -style works, which has profound enlightenment significance on reflecting on palace -style works.