从徐迟到李鸣生——论“哥德巴赫”派与李鸣生的报告文学创作

From XU Chi to Li Mingsheng:On the Goldbach's School and LI Ming-sheng's Reportage Creation

"哥德巴赫"派报告文学曾出现过两次创作热潮,也表现出两个不同阶段。其前后阶段的代表分别是徐迟与李鸣生。从徐迟到李鸣生,新老"哥德巴赫"派虽然一脉相承,有着内在的影响与继承关系,但与整个时代政治和文化生态相一致,其中也存在诸多差异,并表现出不同的鲜明特色。即以李鸣生为代表的新一代,在精神承担、典型叙事与史诗追求等方面,不但继承而且发展和超越了徐迟等前辈。从徐迟到李鸣生,从某一侧面代表了中国新时期以来的文学发展与创作成就;新老"哥德巴赫"派不仅极大地丰富了中国当代文学,而且与其他创作一道,有力纠正了报告文学是"亚流文学"和"散文附庸"的偏见,对中国报告文学乃至整个当代文学发展作出了杰出贡献。

There have been two creative booms in reportage of the Goldbach＇s school,and also show two different stages.It has the representative of the stage is XU Chi and LI Mingsheng respectively.From XU Chi to Li Mingsheng,new and old Goldbach＇s schools although be traced,they have the inner and the impacts of inheritance relationship,but the whole day with political and cultural environment,which is also many differences,and show a striking feature.Like Li Mingsheng of the new generation,not only inherit and the development and beyond XU Chi and other senior in spirit bear,typical narrative,epic pursuit.etc.From XU Chi to Li Mingsheng,represent china＇s new period,the development of literature and creative achievements on one side.New and old Goldach＇s shool sent not only greatly enrich modern Chinese literature,and with the other,creating a powerful corrected pieces of reportage is the ＂second literature＂ and ＂dependency of prose＂ of the prejudice of pieces of reportage to china and the whole development of contemporary literature has made outstanding contributions.