摘要
在英国文学界受到好评的当代旅英华人女作家虹影和郭小橹在各自作品中都塑造了有别于传统东亚女性的"新女性"形象。此类形象的出现为全球化背景下中国女性日益复杂的文化地位和文化身份提供了新的诠释,具有积极意义。但同时作者对这类"新女性"形象的描写仍具有片面性,虽然看似标新立异,但在本质上与传统区别有限,又回归到如何在文化传播中突破"自我东方化"窠臼的问题。
An increasing number of ＂new women＂ images have been created in the works of overseas Chinese female writers since the late 1990s,which is challenging the deep-rooted and ＂set＂ views of the western societies towards oriental women. This paper aims to discuss and explore the complicated image and cultural identity of those seemingly untraditional ＂new women＂ by focusing on two well-received novels of two overseas Chinese female writers,Hong Ying and Guo Xiaolu.
出处
《浙江万里学院学报》
2012年第2期56-59,共4页
Journal of Zhejiang Wanli University
基金
2010年上海高校选拔培养优秀青年教师科研专项基金阶段性成果(编号:sjr10011)
关键词
新女性
文化身份
自我东方化
权力抗衡
new women
cultural identity
self-orientalisation
power confrontation
